Widely admired for his work which takes aspects of modernism and grafting them on to socio-political issues, Coventry appropriates global symbols of junk culture – the golden McDonald's arch, in particular – and recontextualises them, inviting the viewer to consider these logos afresh in a gallery context. Working in white monochrome, or colour, he hones in on the curves of the infamous 'M', cropping, recasting and framing, to striking minimalist compositions.