Her work operates through a series of grid formations that simultaneously impose structure whilst fostering chaos. Her paintings present multiple temporal and perceptual planes at once, allowing viewers to move freely between states of understanding and ambiguity. Depth and form remain deliberately fluid, the rules of perception productively broken, and the conventional order of vision dissolving into something more intuitive and emotionally resonant. This ambiguity becomes not merely an artistic choice but a gateway to a more liberated form of seeing, one where the boundaries between object and space, moment and memory, continually shift and reform.