Todd Hido Selections From A Survey: ‘Khrystyna’s World’
Previously in the Gallery
12 September 2015 - 21 November 2015
Something is going to happen. We can feel it. A car pulling up. An argument overheard. The shattering of glass. Or maybe it already happened: a crumpled bed, a lamp left on, a door slammed shut.
In his celebrated shots of American suburbia, photographer Todd Hido excels in capturing a sense of the disturbed moment. Whether in his eerie exteriors of isolated houses at night, where the only source of life emanates on to the street from a single lit room, or his carefully framed interior shots of freshly tousled sheets of a single bed, or the numbing glare of an old TV set, and even in his disturbing yet evocative images of female models, a confusing yet very real range of female identities lifted from his past – we feel a sense of unease: some allow vulnerability and others exhibit empowerment.
About the artist
Most of Todd Hido photographs of suburban landscapes are taken during solitary, long drives. The main subject of his work is the quality of natural and artificial light in the American landscape, as in reflected sunrays or the illumination of a television pouring from an anonymous window.
Hido takes his pictures in a 'fairly undirected way', he says, as he only works with the light available on the scene without any post-editing. In describing his process, Hido says, 'I shoot sort of like a documentarian, but I print like a painter.' He has also produced a number of interior shots featuring human figures.